Tuesday, September 6, 2016
Thursday, August 4, 2016
Alvarez Delta00
Shape | Blues |
---|---|
Neck | Mahogany |
Bracing System | Back Shifted, Scalloped X |
Bridge | Rosewood |
Inlays | Abalone & Mother of Pearl |
Fingerboard | Rosewood |
Headstock Plate | Rosewood |
Nut & Saddle | Real Bone |
Tuner | Premium Open Gear Chrome |
Binding | Ivory ABS |
Strings | D'Addario EXP |
Dimensions
Product materials
Overall Length (mm) | 1110 |
---|---|
Body Width (mm) | 374 |
Body Depth at Heel (mm) | 82 |
Body Depth at Base (mm) | 102 |
Scale (mm) | 630 |
Scale (inches) | 24 13/16” |
Number of frets | 20 |
Nut Width (mm) | 44.45 |
Nut Width (inches) | 1 3/4" |
Top | Solid A+ Sitka Spruce |
---|---|
Top Finish | Tobacco Sunburst |
Back & Sides |
Monday, July 4, 2016
Wednesday, June 22, 2016
Saturday, June 11, 2016
Six Powerful Reasons for Learning Guitar as an Adult
http://guitardomination.net/learning-guitar-as-an-adult/?mc_cid=5c68dd961e&mc_eid=b7fe8a557a
#1 Adults tend to be more passionate about playing the guitar.
#2 Adults know the songs and bands they like
#3 Adults enjoy listening to guitar music
#4 Adults have the resources to pay for equipment and lessons
#5 Adults have more free time to learn and practice
#6 Adults can understand and apply music theory
Sunday, May 22, 2016
The Ten Best Reasons to Take Up the Guitar—At Any Age
The Ten Best Reasons to Take Up the Guitar—At Any Age
There is a multitude of reasons for wanting to learn to play guitar. Perhaps it is a desire to lead campfire sing-alongs that inspires you, or a particular band that blew your mind and made you want to do more than just listen to music, or perhaps you're looking to impress a certain someone, or many someones for that matter. But did you know that playing the guitar is actually good for you? The following are ten reasons why you might want to take up the guitar pronto, none of which involves fame, fortune or the sexy factor.
https://www.guitartricks.com/blog/The-Ten-Best-Reasons-to-Take-Up-the-Guitar?utm_source=Guitar+Tricks+Newsletter&utm_campaign=2b5dff51ca-GT_NL_Prospects_5_22_2016&utm_medium=email&utm_term=0_832235591b-2b5dff51ca-96350761
Friday, May 20, 2016
Monday, May 9, 2016
The Ballad of the Dreadnought
Friday, April 29, 2016
Wednesday, April 20, 2016
The Four Stages for Learning Guitar
Ignorance is bliss applies here. You're
looking at a guitar and you don't even know how it works.
Stage Two - Conscious Incompetence - "I suck!"
This is the stage where most people give
up because they judge themselves too harshly. Don't let your ego get in
your way here. That's the bottom line.
.
Stage Three - Conscious Competence - "I'm actually doing it!"
You
still have to focus and work on the skill, but you can do it and it
sounds good.
Stage Four - Unconscious Competence - "I can do this in my sleep."
Sunday, April 17, 2016
Budget Acoustic "Parlor" Guitar Review
Budget Acoustic "Parlor" Guitar Review - Fender CP-100, Gretsch Jim Dandy & Epiphone EL-00
Thursday, April 14, 2016
Wednesday, April 6, 2016
Tuesday, March 29, 2016
Thursday, March 24, 2016
Sunday, February 28, 2016
Recording King Dirty 30's Solid Top Parlor RPH-P1
A modern update of a classic turn-of-the-century guitar. It's perfect
for guitar history buffs, recording engineers, front-porch blues
players, and thanks to the smaller body size and shorter scale length,
beginners who need a compact, easy to play, great-sounding instrument.
The traditional parlor-size body is based on a historic Lyon & Healy model. It's built with a solid spruce top for classic tone, comfortable rosewood fretboard with stencil fret markers, a 24.2” scale length and a bone nut and saddle for excellent string/body resonance.
Recording King guitars combine vintage design with modern upgrades for players, and the Dirty 30's Parlor is no exception. Many turn-of-the-century small-body guitars were made with ladder bracing, but the Dirty 30's Parlor benefits from x-bracing designed to accommodate modern string tension but retain the sound of the vintage parlor guitars.
The Recording King Dirty 30's Parlor is finished in dark tobacco sunburst. With true parlor size, vintage design, and modern upgrades, the Dirty 30's Parlor is the guitar for players with one foot in the past and the other in the present.
The traditional parlor-size body is based on a historic Lyon & Healy model. It's built with a solid spruce top for classic tone, comfortable rosewood fretboard with stencil fret markers, a 24.2” scale length and a bone nut and saddle for excellent string/body resonance.
Recording King guitars combine vintage design with modern upgrades for players, and the Dirty 30's Parlor is no exception. Many turn-of-the-century small-body guitars were made with ladder bracing, but the Dirty 30's Parlor benefits from x-bracing designed to accommodate modern string tension but retain the sound of the vintage parlor guitars.
The Recording King Dirty 30's Parlor is finished in dark tobacco sunburst. With true parlor size, vintage design, and modern upgrades, the Dirty 30's Parlor is the guitar for players with one foot in the past and the other in the present.
MODEL: | Dirty 30s Cross Country |
BODY SHAPE: | Parlor |
TOP MATERIAL: | Solid Spruce |
BACK MATERIAL: | Whitewood |
SIDE MATERIAL: | Whitewood |
TOP BRACING PATTERN: | X |
TOP BRACES: | Spruce |
NECK MATERIAL: | Nato |
NECK PROFILE: | Contemporary "C" |
NECK JOINT: | Dovetail |
FRETBOARD MATERIAL: | Rosewood |
SCALE LENGTH: | 24.2" |
# OF FRETS CLEAR: | 12 |
# OF FRETS TOTAL: | 19 |
NUT MATERIAL: |
Bone |
NUT WIDTH: | 1-11/16" |
HEADSTOCK OVERLAY: | Rosewood |
HEADSTOCK INLAY: | None |
TUNING MACHINES: | Black Button |
BODY BINDING: | Ivory |
ROSETTE: | Ivory Bound Soundhole |
TOP PURFLING: | None |
FRETBOARD INLAYS: | RK Stencil |
FRETBOARD BINDING: | None |
BRIDGE MATERIAL: | Rosewood |
BRIDGE SHAPE: | Straight |
SADDLE: | Bone |
BRIDGE PINS & ENDPIN: | Black |
PICKGUARD: | None |
FINISH: | Tobacco Sunburst, Satin |
Tuesday, February 2, 2016
Sunday, January 24, 2016
Friday, January 22, 2016
Recording King EZ Tone
Recording King's EZ Tone series uses one of the thinnest poly finishes ever combined with finely-tuned action for guitars that resonate freely to deliver classic acoustic tone that's not choked by a thick finish and easy playability to reduce finger fatigue.
EZ Tone guitars are built with solid spruce tops, mahogany back and sides, a thin profile mahogany neck and an ultra thin finish
MODEL: | EZTone 000-12th fret |
BODY SHAPE: | 000-12th fret |
TOP MATERIAL: | Solid Engelmann Spruce |
BACK MATERIAL: | Mahogany |
SIDE MATERIAL: | Mahogany |
TOP BRACING PATTERN: | Forward-X |
TOP BRACES: | Spruce |
NECK MATERIAL: | Mahogany |
NECK PROFILE: | C |
NECK JOINT: | Dovetail |
FRETBOARD MATERIAL: | Rosewood |
SCALE LENGTH: | 25.4" |
# OF FRETS CLEAR: | 12 |
# OF FRETS TOTAL: | 20 |
NUT MATERIAL: | Plastic |
NUT WIDTH: | 1-11/16" |
HEADSTOCK OVERLAY: | Rosewood |
HEADSTOCK INLAY: | Recording King Classic |
TUNING MACHINES: | Die Cast Half Moon |
BODY BINDING: | None |
ROSETTE: | Ivory Bound Soundholetage |
TOP PURFLING: | None |
FRETBOARD INLAYS: | None |
FRETBOARD BINDING: | None |
BRIDGE MATERIAL: | Rosewood |
BRIDGE SHAPE: | Standard |
SADDLE: | Plastic |
BRIDGE PINS & ENDPIN: | Ivory |
PICKGUARD: | None |
FINISH: | Satin |
ELECTRONICS: | None |
COLOR OPTIONS: | Natural |
Yamaha FG850
This new addition to the FG series of acoustic guitars is Yamaha's first all-mahogany body acoustic. Yamaha's FG series has consistently been the #1 selling acoustic guitar family of all time, and rightly so. They represent one of the best values in the music industry. Whether you're a beginning player, or just looking to add another guitar to your collection, the FG850 is a great way to get a high-quality all-mahogany acoustic guitar at a very affordable price.
Manufacturer | Yamaha |
---|---|
Condition | New |
Body Style/Shape | Dreadnought |
String Material | Steel |
Number of Strings | 6-Strings |
Right/Left Handed | Right |
Top | Mahogany |
Back | Mahogany |
Sides | Mahogany |
Neck | Nato |
Fretboard | Rosewood |
Bridge | Rosewood |
Cutaway | No |
Electronics | None |
Tuner Built In | No |
Scale Length | 650mm |
Nut Width | 43mm |
Finish | Gloss Mahogany |
Sunday, January 17, 2016
Friday, January 15, 2016
Martin Dreadnought Junior
- Model: Dreadnought Junior
- Construction: Mortise/Tenon Neck Joint
- Body Size: Dreadnought Junior - 14 Fret
- Top: Solid Sitka Spruce
- Rosette: 2 Ring
- Top Bracing Pattern: Dreadnought Junior
- Top Braces: Solid Sitka Spruce 1/4"
- Back Material: Solid Sapele
- Back Purfling: none
- Side Material: Solid Sapele
- Endpiece: none
- Endpiece Inlay: none
- Binding: Black Boltaron - Top Only
- Top Inlay Style: Black/White Boltaron
- Side Inlay: none
- Back Inlay: none
- Neck Material: Select Hardwood
- Neck Shape: Dreadnought Junior Profile
- Nut Material: White Corian
- Headstock: Solid/Dreadnought Junior Taper
- Headplate: HPL East Indian Rosewood w/ Pad Printed Gold Logo
- Heelcap: none
- Fingerboard Material: Black Richlite
- Scale Length: 24''
- Number Of Frets Clear: 14
- Number Of Frets Total: 20
- Fingerboard Width At Nut: 1-3/4''
- Fingerboard Width At 12th Fret: 2-1/8''
- Fingerboard Position Inlays: Style 28 - White Boltaron Dots
- Fingerboard Binding: none
- Finish Back & Sides: Hand Applied Natural Oil Finish
- Finish Top: Hand Applied Natural Oil Finish
- Finish Neck: Hand Applied Natural Oil Finish
- Bridge Material: Black Richlite
- Bridge Style: Junior Style Belly
- Bridge String Spacing: 2-3/16''
- Saddle: 16'' Radius/Compensated/White Tusq
- Tuning Machines: Chrome Enclosed w/ Small Buttons
- Recommended Strings: Martin SP Lifespan 80/20 Bronze Medium Gauge (MSP6200)
- Bridge & End Pins: White w/ Black Dots
- Pickguard: Delmar Tortoise Color
- Case: Gig Bag
- Interior Label: Paper Label
- Electronics: Fishman Sonitone
Friday, January 1, 2016
Introduction to Guitar
If you just got your guitar, you might find this course presented by the Berklee College of Music a good starting point. It's a structured free class that is very well done -
https://www.coursera.org/learn/guitar/
Syllabus
Welcome to Introduction to Guitar
- Welcome to Introduction to Guitar
- Choosing Your Guitar
- Essential Accessories
Acoustic / Electric Guitar and the Basics
- Welcome to Lesson 2
- Parts of the Guitar
- Chord Block Diagrams and Fretboard Maps
- Lesson Assignment and Peer Review
- Assignment: Lesson 1 Peer Review
Getting Started: Fundamental Guitar Skills
- Welcome to Lesson 3
- String Names and Numbers
- Tuning Your Guitar
- Picking
- Strumming
- Lesson Assignment and Peer Review
- Assignment: Lesson 2 Peer Review
The Twelve Half Steps and Basic Notation
- Welcome to Lesson 4
- Twelve Frets and Twelve Half Steps
- Notes on the Fretboard
- Rhythm Basics
- Music Notation and Tablature
- Lesson Assignment and Peer Review
- Assignment: Lesson 3 Peer Review
Scales: Construction and Fingerings
- Welcome to Lesson 5
- Position Playing
- The Chromatic Scale
- Major Scales
- Lesson 5 Assignment and Peer Review
- Assignment: Lesson 4 Peer Review
Chords: Building Easy Triads and Power Cords
- Welcome to Lesson 6
- Triad Chords
- Power Chords
- Lesson 5 Assignment and Peer Review
- Assignment: Lesson 5 Peer Review
Putting it All Together: The Pentatonic Scale and Songs
- Welcome to Lesson 7
- Pentatonic Scale
- Essential Electric Guitar Effects
- Songs
- Summary
- Lesson 6 Assignment and Peer Review
- Introduction to Guitar Course Evaluation
- Assignment: Lesson 6 Peer Review
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