• Full size Western guitar (with a scale length of 650 mm).
• Recommended for players who prefer a smaller body.
• Spruce top, catalpa back and sides, mahogany neck.
• Hardwood fingerboard and bridge.
• Light gauge steel strings for easier fingering.
• Natural high gloss finish.
• New optimized bracing pattern, neck block design and bridge design
for stronger projection with stronger bass and treble frequencies
Classic Dreadnaught power, but with a softer, rounder edge.
The Solid Cedar top, laminated Bubinga back and sides and satin finish
back and neck. Tortoiseshell binding, gold tuners
with Brown Tortoishell buttons, nut and saddle are hand carved bone.
Unique
Features: Ron Emory signature on truss rod cover, white diamond shaped
position inlays with 12th-fret "Loyalty" logo, factory mounted forward
strap button with internal block reinforcement, 70s headstock shape,
black-with-white-dot bridge pins, dual action truss rod
Most modern steel string guitars built today contain a metal rod in the neck of the guitar called a truss rod. You will often see mention of it when folks discuss adjusting how a guitar plays. It's good to know what it is, and how it works -
Beginner Guitar Lessons have cognitive and physical
benefits that may prevent or delay the onset of Alzheimer’s disease. In
addition, learning to play the guitar can also:
enhance problem solving skills
exercise spatial and visualization processes in the brain
“I don’t have time to practice”. Figure out where to fit practice time in your schedule to make the most of your limited time. Remember, being a student of the guitar is a journey, not a race.
1) Short bursts multiple times daily Five minutes blocks of time can add up if you are consistent. Start first thing in the morning and every time you have a
break from whatever it is you’re doing, pick up your instrument. If you do this several times during
the day, you’ll be surprised at the practice hours you log and the
progress you’ll make.
2) Two or three longer practice sessions during the day Planning is key here, regarding how much time and what times of the day you have available. Look at your schedule
and plan ahead.
3) One long practice session a day This is the traditional method and if you have the time, patience,
and focus,
Of course the best approach may be to combine all three. Be realistic
about your available time, use your time wisely but most of all, have fun!
Creating a truly easy-to-play guitar isn’t easy. But thanks to
exhaustive analysis, numerous technological innovations, and suggestions
from a “who’s who” of professional players, the PRO-1 guitars aren’t
only easy to play - they are easy to use, easy to own, and deliver a
full, vibrant tone that creates a truly satisfying acoustic guitar
experience.
It's almost universally accepted that all things being equal, a solid top guitar sounds better than a laminate top guitar. Most folks think that a guitar built with all solid woods sounds better than a guitar built with laminate back and sides. One of the most affordable all solid wood guitars on the market is the Recording King RD-10.
MODEL: RD-10
BODY SHAPE: Dreadnought
TOP MATERIAL: Solid Sitka Spruce
BACK MATERIAL: Solid Mahogany
SIDE MATERIAL:
Solid Mahogany
TOP BRACING PATTERN: Forward X-Bracing
TOP BRACES:
Scalloped Spruce
NECK MATERIAL: Mahogany
NECK PROFILE: Thin "C"
NECK JOINT: Dovetail
FRETBOARD MATERIAL: Rosewood
SCALE LENGTH: 25.4"
# OF
FRETS CLEAR: 14
# OF FRETS TOTAL: 20
NUT MATERIAL:Bone
NUT WIDTH: 1-11/16"
HEADSTOCK OVERLAY:
Rosewood
HEADSTOCK INLAY: Recording King Decal
TUNING MACHINES: Die Cast
BODY
BINDING: Tortoise Shell
ROSETTE: Classic Style
TOP PURFLING: None
FRETBOARD
INLAYS: Dot
FRETBOARD BINDING: None
BRIDGE MATERIAL: Rosewood
BRIDGE SHAPE:
Standard
SADDLE: Bone
BRIDGE PINS & ENDPIN: Ivory with Black Dot
PICKGUARD:
Black
FINISH: Natural Gloss
BODY SHAPE:
Dreadnought,
14th Fret
TOP MATERIAL:
Solid Adirondack Spruce
BACK MATERIAL:
Solid African Mahogany
SIDE MATERIAL:
Solid African Mahogany
TOP BRACING PATTERN:
Forward X-Bracing
TOP BRACES:
Sitka Spruce, Scalloped
NECK MATERIAL:
Mahogany
NECK PROFILE:
Thin C
NECK JOINT:
Dovetail,
14th fret
FRETBOARD MATERIAL:
Rosewood
SCALE LENGTH:
25.4"
# OF FRETS CLEAR:
14
# OF FRETS TOTAL:
20
NUT MATERIAL:
Bone
NUT WIDTH:
1-11/16"
HEADSTOCK OVERLAY:
Rosewood
HEADSTOCK INLAY:
Recording King Classic
TUNING MACHINES:
Grover Rotomatic
BODY BINDING:
Tortoise Shell
ROSETTE:
3 Ring Vintage
TOP PURFLING:
Black & White
FRETBOARD INLAYS:
Pearl Dots
FRETBOARD BINDING:
None
BRIDGE MATERIAL:
Rosewood
BRIDGE SHAPE:
Belly
SADDLE:
Bone, Compensated
BRIDGE PINS & ENDPIN:
Black
PICKGUARD:
Black
FINISH:
Natural Gloss - See more at: http://www.recordingking.com/products/guitars-all-models/guitars-rd310#sthash.CCgm
BODY SHAPE:
Dreadnought,
14th Fret
TOP MATERIAL:
Solid Adirondack Spruce
BACK MATERIAL:
Solid African Mahogany
SIDE MATERIAL:
Solid African Mahogany
TOP BRACING PATTERN:
Forward X-Bracing
TOP BRACES:
Sitka Spruce, Scalloped
NECK MATERIAL:
Mahogany
NECK PROFILE:
Thin C
NECK JOINT:
Dovetail,
14th fret
FRETBOARD MATERIAL:
Rosewood
SCALE LENGTH:
25.4"
# OF FRETS CLEAR:
14
# OF FRETS TOTAL:
20
NUT MATERIAL:
Bone
NUT WIDTH:
1-11/16"
HEADSTOCK OVERLAY:
Rosewood
HEADSTOCK INLAY:
Recording King Classic
TUNING MACHINES:
Grover Rotomatic
BODY BINDING:
Tortoise Shell
ROSETTE:
3 Ring Vintage
TOP PURFLING:
Black & White
FRETBOARD INLAYS:
Pearl Dots
FRETBOARD BINDING:
None
BRIDGE MATERIAL:
Rosewood
BRIDGE SHAPE:
Belly
SADDLE:
Bone, Compensated
BRIDGE PINS & ENDPIN:
Black
PICKGUARD:
Black
FINISH:
Natural Gloss - See more at: http://www.recordingking.com/products/guitars-all-models/guitars-rd310#sthash.CCgmXZ0H.dpuf
BODY SHAPE:
Dreadnought,
14th Fret
TOP MATERIAL:
Solid Adirondack Spruce
BACK MATERIAL:
Solid African Mahogany
SIDE MATERIAL:
Solid African Mahogany
TOP BRACING PATTERN:
Forward X-Bracing
TOP BRACES:
Sitka Spruce, Scalloped
NECK MATERIAL:
Mahogany
NECK PROFILE:
Thin C
NECK JOINT:
Dovetail,
14th fret
FRETBOARD MATERIAL:
Rosewood
SCALE LENGTH:
25.4"
# OF FRETS CLEAR:
14
# OF FRETS TOTAL:
20
NUT MATERIAL:
Bone
NUT WIDTH:
1-11/16"
HEADSTOCK OVERLAY:
Rosewood
HEADSTOCK INLAY:
Recording King Classic
TUNING MACHINES:
Grover Rotomatic
BODY BINDING:
Tortoise Shell
ROSETTE:
3 Ring Vintage
TOP PURFLING:
Black & White
FRETBOARD INLAYS:
Pearl Dots
FRETBOARD BINDING:
None
BRIDGE MATERIAL:
Rosewood
BRIDGE SHAPE:
Belly
SADDLE:
Bone, Compensated
BRIDGE PINS & ENDPIN:
Black
PICKGUARD:
Black
FINISH:
Natural Gloss - See more at: http://www.recordingking.com/products/guitars-all-models/guitars-rd310#sthash.CCgmXZ0H.dpuf
BODY SHAPE:
Dreadnought,
14th Fret
TOP MATERIAL:
Solid Adirondack Spruce
BACK MATERIAL:
Solid African Mahogany
SIDE MATERIAL:
Solid African Mahogany
TOP BRACING PATTERN:
Forward X-Bracing
TOP BRACES:
Sitka Spruce, Scalloped
NECK MATERIAL:
Mahogany
NECK PROFILE:
Thin C
NECK JOINT:
Dovetail,
14th fret
FRETBOARD MATERIAL:
Rosewood
SCALE LENGTH:
25.4"
# OF FRETS CLEAR:
14
# OF FRETS TOTAL:
20
NUT MATERIAL:
Bone
NUT WIDTH:
1-11/16"
HEADSTOCK OVERLAY:
Rosewood
HEADSTOCK INLAY:
Recording King Classic
TUNING MACHINES:
Grover Rotomatic
BODY BINDING:
Tortoise Shell
ROSETTE:
3 Ring Vintage
TOP PURFLING:
Black & White
FRETBOARD INLAYS:
Pearl Dots
FRETBOARD BINDING:
None
BRIDGE MATERIAL:
Rosewood
BRIDGE SHAPE:
Belly
SADDLE:
Bone, Compensated
BRIDGE PINS & ENDPIN:
Black
PICKGUARD:
Black
FINISH:
Natural Gloss - See more at: http://www.recordingking.com/products/guitars-all-models/guitars-rd310#sthash.CCgmXZ0H.dpuf
